Alejandro Jodorowsky Is Responsible For Every Classic Sci-Fi Movie You Love
A new documentary chronicles the creation and devastation of “the greatest movie never made.” And if you’ve ever loved a movie with spaceships in it, you have the man chronicled therein—Alejandro Jodorowsky—to thank.
The documentary, Jodorowsky’s Dune, which opened nationwide last month, travels back in time to 1974, before Star Wars or Alien or any other great sci-fi space battle movie existed. Jodorowsky, 85, is a Chilean-born filmmaker of Jewish and Ukrainian heritage who made his career mostly in Mexico and France. At the time, he was gaining notoriety for his bizarre but beloved films El Topo and The Holy Mountain.
He met with producer Michel Seydoux, who told him he’d produce any movie Jodorowsky wanted to make. Without thinking about it, Jodorowsky said, “Dune!” He was referring to Frank Herbert’s best-selling sci-fi novel—which, at the time, had not even seen. Still, he clarifies in Jodorowsky’s Dune that he had heard good things about it, and dreamed of making a big-budget space epic—one that extended beyond the “scientific rigor” of 2001: A Space Odyssey, which had come out a few years earlier.
Over the next two years, Jodorowsky accumulated a roster of artists, designers and producers who would go on to create the world’s greatest science fiction movies. The dream team for his would-be Dune included artist, painter and sculptor H.R. Giger (Alien, Aliens, Prometheus), writer and special effects artist Dan O’Bannon (Star Wars, Alien, the original Total Recall, Dark Star), and artist, cartoonist and writer Jean Giraud (Alien, Tron, The Fifth Element), and artist Christopher Foss (Alien, Flash Gordon, A.I. Artificial Intelligence).
Together, the team tackled the movie project for Dune, assembling a 600-page tome with a full script, extensive costume and scenery designs, and more than 3,000 shot-for-shot storyboards that detailed exactly how each and every scene in the movie would look.
Jodorowsky and his “spiritual warriors” brought a copy of the book to every major studio in Hollywood. Every studio loved it—but not enough to finance it. They worried the story was too long to be told on film, that audiences weren’t interested in movies about space, and that Jodorowsky was an untested wild card as a director. Ultimately, a film that had every piece in place except the financing fell apart.
“Almost all the battles were won, but the war, we lost,” bemoans Jodorowsky in the documentary detailing the ordeal.
One of the 600+ pages Jodorowsky and his team put together to present “Dune” to movie studios, courtesy of Sony Pictures Classics
At the end of the documentary Jodorowsky’s Dune, the filmmakers show the unmade film’s concept art side by side with scenes from just about every modern science fiction and fantasy movie. The similarities are pretty revelatory.