DNAinfo, Gothamist, and What We Lose in the Disappearing Digital Archive


On Monday afternoon, as a few hundred people gathered at New York’s City Hall to protest the shuttering of local news sites DNAinfo and Gothamist, a carousel of speakers took turns proclaiming their love for journalism—including frequent targets of the press. Tragedies make strange bedfellows.
The sites wrote negative articles about him, New York City Councilmember Jumaane Williams said, but “at least they’d spell my name right.” Other local Democrats, taking turns on a megaphone a day before many of them were up for re-election, similarly joked about how various reporters had at times been pains in the ass. “The absence of DNAInfo and Gothamist leaves a large hole in local media coverage that isn’t easily filled,” Councilmember Antonio Reynoso said.
Yet a week after the publications were shut down, what happens to that journalism—the first drafts of local history DNAinfo, Gothamist, and its companion sites in other cities had given the world—remains an open question. The sites were temporarily blacked out last week, spurring a fierce social media backlash. They soon came back online. And former Gothamist publisher and co-founder Jake Dobkin promised that some version of the archives would be preserved.
But the details of that effort—including whether it’s tied to a broader negotiation between the former staffers’ union and their employer, billionaire Trump supporter Joe Ricketts—are unclear. Hal Danziger, DNAinfo’s chief technical officer, told Quartz last Friday that such “details are among the issues the company will address in the coming weeks.”
“We are having conversations about maintaining availability [of the archives] in the future,” added Lowell Peterson, executive director of Writers Guild of America-East, which represents both sites in addition to Gizmodo Media Group. “The union committee has made it clear that this is important and I believe management understands.”
There could be a lot to flesh out there, particularly given how Gothamist has in the past deleted articles critical of Ricketts. But the outcome of the fight to archive the sites may be a precursor of what’s to come as the disruption of the media industry continues. It’s likely that additional existing publications will close in the face of economic upheaval, leaving their sites vulnerable to technical failure without consistent upkeep. Mounting political and legal pressure, meanwhile, may push the owners of publications to erase more controversial work entirely.
One prescient example of the latter threat: Gawker.com, whose domain, social media accounts, and nearly 200,000 posts are up for auction. Splinter’s parent company, Univision, passed on the site when it purchased Gawker Media’s other properties last year. The law firm overseeing Gawker.com’s sale has received more than a dozen inquiries about the site, The Wall Street Journal reported last month (emphasis mine):
As it stands, [Gawker.com] is potentially more valuable to a person who wants articles removed than it is to a person who wants the archive preserved, a person familiar with the matter said, pointing to venture capitalist Peter Thiel who secretly financed Hogan’s case, the ruling on which drove it out of business. A new owner of Gawker could also face legal pressure to remove articles, people familiar with the matter said.
A complete shutdown of the site by an affluent Gawker hater—or even the removal of individual posts—would create a gaping hole in the public record. Case in point: On Thursday, when The New York Times published accusations by several women of comedian Louis C.K.’s sexual misconduct, the paper originally included a broken link to a 2015 Defamer post that was among the first published accounts of the allegations. The Times eventually added a working link to the piece by the Gawker sub-site, which provided valuable context by describing previous efforts to confirm such rumors.
Louis C.K. wasn’t an outlier for the late gossip site, either: Gawker reported on director James Toback’s sleaze years before many other larger outlets, reignited public awareness of Bill Cosby’s history of rape allegations, and called for information about the “open secret” of Harvey Weinstein’s misogyny way back in 2015. Taken together, the work represents important early steps toward the current conversation around sexual harassment and assault.