What do Pulse employees do now? How Orlando LGBTQ bars are coming together
Latanya Porter was on her way home from a gig at Flirt when her phone started blowing up. A gunman had shot and killed 49 people at Pulse, an LGBTQ nightclub about 14 miles east on the 408 from where Porter had just performed. She immediately began calling other entertainers, family, and friends, desperately trying to find out what was going on.
“Disbelief is one way to describe it,” Porter, who identifies as a lesbian and regularly performs at Pulse and other venues under stage name Notorious BLACK, told me when asked how she was coping fewer than 48 hours after the attack. “A living nightmare would be another. We are trying desperately to grasp what has happened, but the grip is nowhere in sight.”
With the temporary closure of Pulse nightclub, many queer and trans people in Orlando have lost something. Some have lost a safe haven to explore their newly embraced identities. Others have lost a place of solidarity for when the mental, emotional, spiritual, and often physical toll of living authentically becomes more than they can handle on their own. This promise of safety, security, and sanctuary is important—exponentially more so for queer and trans Latinxs and people of color, like the 49 victims and 53 injured people who hit up Pulse’s trans talent-headlined “Latin Night” event on Saturday. That promise has been violently broken, and the loss has rippled outward to LGBTQ people worldwide.
But there is another group of queer and trans people who have lost something in this mass act of homophobic, transphobic, racist, and misogynistic violence: the people who work at Pulse. If LGBTQ bars and clubs are the hearts of their communities, then the bartenders, bar-backs, bouncers, drag queens, drag kings, coat checkers, promoters, managers, and owners are the lifeblood that keeps those organs pumping.
In the wake of the shooting, some of those workers find themselves without a steady paycheck. Others find themselves without a creative escape from their less glamorous nine-to-fives. Save for Facebook and other forms of social media, all of them have lost a reliable means of checking in on their newfound queer family, whose numbers grew with every shift. Thankfully, their extended queer families at neighboring bars and nightclubs are lending a helping hand.
“[Pulse] was the first club I went to when I moved to Orlando last year,” Jason Campbell said. “It was a refuge. A place where I could be myself and express my individuality fully. It was where I got my first cast position as a performer and met my brothers and sisters I love so dearly. I wouldn’t trade it for the world.”
Campbell, who performs in drag as Jaymie Kole Panic, is a self-described “deliriously cheerful, fun-loving weirdo” who recently celebrated his one-year anniversary of living in Orlando. He frequently performed at Pulse, which he considered a “home away from home.” But he was just as likely to be found offstage among the patrons, supporting his friends’ shows.