Naomi Campbell: 'I won't stop talking about [diversity in fashion] until I see improvement.'
Around here we’re very concerned about the intersection of fashion and race, and we’re in good company: Supermodel Naomi Campbell and famed British photographer Nick Knight recently sat down in a filmed interview for Knight’s SHOWstudio to discuss the gradual progress of race in the industry and revisit their explosive 2008 response to the problem.
In the video above — posted on YouTube last week — Knight laments, “It seems like it’s a conversation that has to be had again, again, and again, because it just doesn’t seem to change quickly.”Agreeing emphatically, modeling powerhouse Naomi replies, “And what’s so scary to me is that I don’t want [race] to become a trend. I did not work 28 years for it to be a trend.”
She goes on to criticize those in the industry:
“There is still an issue of ignorance in our fashion world… I don’t even like to use the word racism — [they’re] ignorant. They just don’t want to budge. They just don’t want to change their idea or be more open-minded, to just [book] a beautiful girl regardless of creed or color.”
It’s that same fear that prompts Naomi to continue working, mentoring new black models in the game like Jourdan Dunn, Joan Smalls, and Malaika Firth, and most likely provoked her to load up on ammunition for Knight’s 2008 response to racial prejudice in fashion.
Simply entitled “Untitled,” the two-minute video filmed in 2008 first displays Knight’s manifesto on race in fashion and his frustration with seeing it play itself out time and time again.As the lensman’s manifesto argues, designers’ failure to consistently cast models of color in order to justify business revenue feels regressive — Knight patently labels the move racist.
Seconds later, armed with fully loaded machine guns, Naomi Campbell can be seen shooting rounds upon rounds of ammunition at an unseen target, draped in Rodarte.
It’s a powerful display of pent up frustration, released. Giggling maniacally, the model is taking down metaphorical barriers blocking progress for her and other models of color.